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This system was created to prevent consumer DAT owners from being able to make endless digital clones of an original product. SCMS (Serial Copy Management System) allows the mastering engineer to set the options for creating digital copies from the master.Alongside the less frequently used Index markers are plenty of codes or flags that may need to be entered.

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However, all respectable mastering programs should be able to work with the full Red Book standard, if you need to use them. These were never used a great deal, despite being in the CD specification, and subsequently seem to have been removed from the majority of CD players. When CD Players first hit the market, there were curious controls alongside the normal skip forward and back, labelled Index Forward and Index Back. Simply select a track and slide it up or down the list, and Waveburner will automatically order your files for you in the waveform window. Changing the order of the tracks is best done in the Regions list at the bottom left of the screen. Each stereo file you load in will appear on alternate tracks, enabling you to quickly slide files about and create automatic crossfades as two tunes collide (see screen, right). In effect, Waveburner has two stereo tracks, showing four mono files in its main waveform window.

At this stage, there's no need to worry about files of different sample rates and word lengths, as they can be dithered down inside Waveburner later, with your choice of algorithm. As usual, you can select multiple files using the Shift key, and non-adjacent ones using the Apple key. From here, you can select the files you want and import them into the main window. Clicking on it (the default shortcut is Apple-F) causes a Logic-style file-browser to appear. The first you'll notice (and the thing you'll need from the outset) is the Import icon, which is situated at the top left of the screen. Getting Into Waveburnerĭespite its similarities to Logic, there are some key differences in Waveburner 's appearance and operation.

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Waveburner 's features are pretty impressive, allowing entry of all manner of codes (see the 'Code Breaking' box on page 198) and track labels, plus a variety of fades and hidden tracks as required. So what is it? It's a powerful tool that can be used to prepare your Red Book-standard CD master for duplication, and is a strong competitor to rival applications such as Roxio's Jam, which, along with Toast, is often the staple diet for the Apple-based studio user. This is often difficult to summon 'on-spec' when producing your own work from start to finish, and many find that it is good to separate the two disciplines of mixing and mastering by both a length of time and a difference of application - enter Waveburner. Well, to many, mastering is considered a different art, which requires an even hand across the diverse range of an album's audio material.

So why not use Logic? After all, you can access most of Logic's plug-ins in Waveburner.

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In SOS February 2006 (on-line at we saw how Logic Pro itself can be used as a mastering tool, as it allows you access to some very powerful plug-ins. Since the acquisition, it has been bundled with Logic Pro, but often resides in the applications folder, waiting to be discovered. We take a look at the hidden jewel in Apple's crown.īefore Apple bought Emagic, Waveburner was a product that could be purchased as a separate, self-contained entity.

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Waveburner is bundled free with Logic Pro and offers some significant power in the mastering department.

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